3 December 2020. Acknowledgement The project is part of the culture program related to Canada’s Guest of Honour presentation at the Frankfurt Book Fair and is supported by... Read more » Amongst other issues, she explores the nexus between security, surveillance and the covert networks of power that structure lives, while also addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. An idea that is also reflected in the title of the work, which translates as ‘we’ in Urdu. Or demands shouted into megaphones? Mann Mayal | Episode 26 | Hamza Ali & Maya Ali | HUM Dramas Watch Episode 3 of Drama Serial Mann Mayal. The composition includes pieces written by Pakistani poet Faiz Ahmed Faiz and Sudanese poet Muhammad al-Makki Ibraheem, both of whom were persecuted in their respective countries for raising their voices against authoritarian politics, oppression and social injustice. AmbientDroneExperimentalIDM, 3 December 2020 / 11julSee details for time 06sep Hajra Waheed: “Hum”, a Solo Exhibition at Portikus Frankfurt (See details for time) Alte Brücke 2 / Maininsel, 60594 Frankfurt am Main Event Type:Exhibition Kunstverein Nürnberg – Albrecht Dürer Gesellschaft e.V. Hum (2020) is a large-scale multi-channel musical composition and sound installation that employs the ubiquitous yet overlooked medium of humming as a means to explore radical forms of collective and sonic agency. Hajra Waheed is a Postwar & Contemporary artist who was born in 1980. While Waheed was preparing Hum in late 2019, students in Pakistan were engaged in mass protests and were targeted for arrest under vestigial colonial laws, including those banning “sedition.” At the same time, anti-communal activists in India were protesting against a new law offering citizenship to refugees of any religion except to Muslims. Hajra Waheed and the Hum of Protest. For her upcoming solo exhibition at Portikus, Hajra Waheed realises an indoor, site-specific iteration of Hum (2020). Waheed shows that acts of protest and resistance don’t necessarily need to be loud in order to be heard. At VITRINE, Basel, the artist creates a theatre-like setting, which reflects on the aesthetics of public transportation, From Hilma af Klint in Malmö to Mohamed Bourouissa in Frankfurt, At Vleeshal, Middelburg, the artist’s darkened spaces shed light on both the city's colonial burden and the invisibility of Black bodies, At Felix Gaudlitz, Vienna, a series of photographs by the French novelist beautifully captures the notion of intimacy, The Austrian art festival creatively rethinks ways of exhibition-making during a pandemic with a collection of commissioned TV shows, At the Westfälischer Kunstverein, Münster, the artist probes the ambiguity – and superstition – of everyday items, Combining archival material with contemporary art, an exhibition at Dresden’s Kunsthalle im Lipsiusbau highlights the activist’s connection with the GDR, At Gallery 1957, Accra, the artist’s use of both Ghanaian Kente and Malian textile traditions ‘offers new possibilities for the exchange of cultural knowledge’, The artist’s show at Progetto, Lecce, speaks to how communication is both verbal and physical, A group exhibition at Kulturstiftung Basel H. Geiger draws attention to the unique positionality of Caribbean artists, At Karma, New York, the artist presents a new body of work that goes beyond the ‘gestural abstraction’ for which she is best known, At White Columns, the artist presents a series of neon works that highlight ‘critical moments in US history’ from 1526 to 2019, At the Mosaic Rooms in London, Heba Y. Amin traces colonial footprints in the Arab world through communication technologies, Originally commissioned for the Lahore Biennale 02 at the start of this year, where it was presented at Diwaan-i-Aam – an, the airing of public grievances before the emperor – the instalment in Frankfurt seems rather restrained by comparison. Courtesy: the artist and mor charpentier, Paris; photograph: Diana Pfammatter. Shared across each of these hummed verses are stories of struggle against state oppression, the rise of authoritarianism and the plight and hope of working people, the marginalized and dispossessed. From Angela Davis in Dresden to … Waheed’s 36-minute sound piece, Hum (2020), brings together hummed versions of eight protest songs from the continents of Africa and Asia. SNS popularity has encouraged researchers to analyze the relationship of activities performed on SNS with user behavior. Hajra Waheed, Hum, 2020, installation view, Portikus, Frankfurt. Amongst other issues, she explores the nexus between security, surveillance and the covert networks of power that structure lives, while also addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. All of these songs are being resurrected in social movements today. Hum was initially created upon invitation for Lahore Biennial 02 and shown within Lahore Fort’s historic Diwaan-i-Aam. How does protest sound? Or phrases chanted by thousands of protesters? ExperimentalRadiophonic, 4 December 2020 / Here, the humming emanates from 16 black speakers hanging from the ceiling, while the floor is covered in soft white carpet – which visitors may only walk across barefoot – lending the installation a sacred aura. Waheed, Milly Peck on the Romanticism of Rail Travel, On Our Radar: 7 Exhibitions to See in Europe this Winter, Sandra Mujinga Sheds a Light on a Troubled Dutch Past, This Year’s Steirischer Herbst Switches Between Programmes, The Friendship between East Germany and Angela Davis, How Abdoulaye Konaté Knits Together West African Cultural Heritage, A Dialogue Between Basel and the Caribbean, The Artistic Athleticism of Louise Fishman, Maya Stovall Illuminates Black American Regional Histories, How Europe Used Surveillance to Command the Middle East. Semantic Scholar profile for Hajra Waheed, with 2 highly influential citations and 7 scientific research papers. She is recognized for her roles in the serials Khushi Ek Roag, Meri Dulari, Dil Muhallay Ki Haveli, Rishtay Kuch Adhooray Se, Mausam, Guzaarish and Zara Yaad Kar.She has established a career in the Urdu television industry and has received seven Hum Award nominations. The work’s title, which translates to “We” in Urdu, reflects on international solidarity movements that emerged in the second half of the 20th century during processes of decolonization in the Global South. In Montreal-based artist Hajra Waheed’s exhibition at Portikus, the sound of protest is a hum. Main image: Hajra Waheed, Hum, 2020, installation view, Portikus, Frankfurt. Hajra Waheed ’s multidisciplinary practice ranges from painting and drawing to video, sound, sculpture and installation. Hum (2020) is a large scale multi-channel musical composition and sound installation that employs the ubiquitous yet overlooked medium of humming as a means to explore radical forms of collective and sonic agency. Critic's Guides On Our Radar: The Best Exhibitions in Europe Right Now. A … Wobei sie stets das Geheimnisvolle umkreist, das in Leben und Kunst gleichermaßen allenthalben in Erscheinung tritt. Designed to be experienced while moving between the columns of Diwaan- i-Aam in Lahore Fort, Hajra Waheed’s Hum employs humming to explore collective experience. To find out more please read our. AmbientArts & CultureAvant-GardeBass MusicBreakbeatCollageCommissioned WorksCut Up/DJDowntempoDubElectroElectronicExperimentalField RecordingFree JazzFusionIDMImprovIndustrialInternetJazzKrautrockMinimalMinimal SynthModern ClassicalMontageNew AgeNoiseNon-MusicPoetryOdditiesPost-punkProgressive RockRadio PlayReportageSoundscapeSoundtrackSpoken WordTraditional/ReligiousTechnoTrance, 30 November 2020 / In this Episode we take a deep dive into a recent sound work by the artist Hajra Waheed entitled, Hum, Exploring sonic histories of sonic resistance across South and West Asia and North Africa over the last half century. Arts & Culture, 28 November 2020 / Kressengartenstraße 2, D-90402 Nürnberg Carina Bukuts is assistant editor of frieze based in Berlin, Germany. BY Carina Bukuts | 15 OCT 20. The more time I spend with these voices, however, the more I realize that the work’s power lies in its silencing of my body: no footsteps are audible, only humming. Drama Ehd e Wafa All Episodes , ISPR & Momina Duraid Production Presents on HUM TV. The more time I spend with these voices, however, the more I realize that the work’s power lies in its silencing of my body: no footsteps are audible, only humming. Built by Shah Jahan in 1628, the space was conceived to receive members of the general public to hear their grievances. Waheed has participated in exhibitions worldwide including: Globale Resistance, Centre Pompidou, Paris (2020); Lahore Biennial 02, Pakistan (2020); Pushing Paper: Contemporary Drawing from 1970 to Now, British Museum, London (2019); Hold Everything Dear, The Power Plant, Toronto (2019); 57th Venice Biennale, VIVA ARTE VIVA, Venice (2017); 11th Gwangju Biennale, South Korea (2016); The Cyphers, BALTIC Centre for Contemporary Art, Gateshead, UK (2016); Still Against the Sky, KW Institute for Contemporary Art, Berlin (2015); La Biennale de Montréal, Musée d’art contemporain de Montréal, Quebec (2014); Lines of Control, Herbert F. Johnson Museum of Art, Ithaca, NY (2012) and (In) The First Circle, Antoni Tapies Foundation, Barcelona, ES (2012). Hajra Yamin as Farhat; Jameel and nafisa's daughter, dua and faria's older sister; Waseem Abbas as Jameel; Farhat dua and faria's father, nafisa's husband, aamir's father in law; Ali Ansari as Meerab; Dua's love interest; Amna Malik as Ramsha; Haris Waheed as Raheel; A servant in the house; Ghazala Butt as Dua's aunt; Farah Nadir as Raheel's mother The exhibition at Portikus was accompanied by a booklet featuring a conversation between the artist Hajra Waheed and the architect David Adjaye. Here, the humming emanates from 16 black speakers hanging from the ceiling, while the floor is covered in soft white carpet – which visitors may only walk across barefoot – lending the installation a sacred aura. Social networking sites (SNS) are used for social and professional interaction with people. Hajra Waheed (b. Hum Mile Kuch Is Tarha Complete Urdu Novel By Sara Khan in Pdf file format. Is it the noise of stomping feet marching through the streets during a demonstration? Hajra Waheed’s multidisciplinary practice ranges from painting and drawing to video, sound, sculpture and installation. She lives and works in Montréal. For her upcoming solo exhibition at Portikus, Hajra Waheed realises an indoor site specific iteration of Hum (2020). Hum also features a song by Kurdish musician Nûdem Durak, who was arrested in Turkey in 2015 and sentenced to 19 years in prison for singing in her mother tongue. The work features 8 hummed songs of resistance based on stories of struggle against oppression and authoritarianism. Hum (2020) is a large scale multi-channel musical composition and sound installation that employs the ubiquitous yet overlooked medium of humming as a means to explore radical forms of collective and sonic agency. Waheed originally debued “HUM” at Lahore Biennale 02 in Pakistan towards the beginning of 2020. Courtesy: the artist and mor charpentier, Paris; photograph: Diana Pfammatter. In this Episode we take a deep dive into a recent sound work by the artist Hajra Waheed entitled, Hum, Exploring sonic histories of sonic resistance across South and West Asia and North Africa over the last half century. Technical Director of Music: Pietro Amato, Musical Arrangement: Sam Shalabi & Laurel Sprengelmeyer, Mixing Engineers: Pietro Amato, Michael Feuerstack, Original Recordings by: Nûdem Durak, Habib Jalib, Faiz Ahmed Faiz (as sung by Iqbal Bano), Ahmed Fouad Negm (as, sung by: Sheikh Imam Eissa), Muhammad al-Makki Ibraheem (as sung by: Mohammed Wardi), Dr. Bashir Ahmad (as sung by: Hamid Hussain). Waheed’s 36-minute sound piece, Hum (2020), brings together hummed versions of eight protest songs from the continents of Africa and Asia.

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